If you…
1. It is difficult to cooperate with the tuner and it is impossible to test the sound within the specified time.
2. Every time after the performance, I am licking "Grass, today's tone is too bad!"
3. Novice performers, not familiar enough with the tuning.
Then take a look at these 6 simple basic tuning tips:
1. Don't rehearse as a tuning.
The key point of tuning, of course, is to adjust the sound of the stage and PA to the ideal. PA is handed over to the tuner for processing, and your main task is to adjust the stage equipment (hand box, instrument, sampling); try to monitor, make sure you can hear the sound you need to hear.
The words are simple, but I still often see some bands still have to discuss which songs, the drummers are too fast, the band can't keep up, stop the rhythm and repeat the rhythm again, the guitarist is wrong. Stop, come again... Are you really coming to audition? First arrange the tracks you need to prepare for tuning in the rehearsal room.
One more thing, maybe you feel that the feeling of a formal performance seems to be better than the audition, because it is because you are fully engaged in the performance. But in auditioning, it's best to focus your attention on the sound: on the one hand you are playing, on the other hand you have to stand on the listener's point of view to find problems and solve them. (The drummer is best to use the state of the show to drum)
2.PA is actually very good, it may be a problem with your monitor. (vice versa)
This is often the case: the lead singer can't hear his own vocals and asks the tuner to give the volume. Sometimes this request will be confusing. In the end, do you want the voice in the PA to be bigger, or is it clearer in the monitor? Perhaps the people who visited the audition under the stage will be shocked by your voice, but the voice in your monitor is still very small.
This embarrassing situation should be said to be half and half of the tuner and the auditor. As an auditor, it is best to find out if the problem is being monitored and give a clear request. Don't say "the tuner sings a little bigger", but should say "my vocals are bigger in the monitor"
It is ideal if a band member can step down and listen to the PA during the audition.
Go back and talk about listening. The purpose of the monitor is to hear the sound you want to hear, and the low frequencies and details don't have to be too careless. For example, the bass player actually listens to the snare drum and the hi-hat, and too many drums may affect the bass part of the performance.
Ok, I believe that you may have heard people say "I can listen to it below" when complaining about how bad the audition is. In many cases, this is the truth, not the comfort of your words.
3. Responsible for your own tone.
If you are not good at tuning, don't assume that the responsibility is all in the tuner. The tone on the stage should be counted from the original instrument state, wire, string drums, etc. It is also important to adjust the handcuffs. There are very few tuners who can help you with the box, so this important first step is the responsibility of yourself.
In short, to ensure that the instruments and effects and other equipment are in a normal state, select some of the wire, and the quality of the sampling can ensure the tuning effect is good. If you consider the frequency conflict and volume ratio between the adapters when you adjust the box, it is more perfect.
4. If you encounter problems, try to solve them instead of complaining.
I feel that my guitar sound is buried in another guitar, or the monitoring is always very vague, maybe you will fall into depression, full of "TMD's bad voice, so annoying, how to do the show ?" and the like.
Get out of it, there is no use of this, but it makes you mess up. Calm down to find the source of the problem, the guitar sound is unclear, is the distortion too large or the frequency conflict? The drummer can't hear the sampling. Is it too much interference caused by the low frequency of the bottom drum?
Problems that cannot be solved by themselves are clearly reflected to teammates and tuners and seek their help. The attention is "clearly reflected", but don't say vague words like "Hey, I can't hear anything here."
5. Inform the tuner of the tuning requirements in advance.
It takes politeness to deal with a tuner, and there is -- professional. What tuning requirements require them to be clearly told in advance to improve efficiency and accuracy. For example, the vocals of a song need some reverberation or delay, so be sure to tell them in advance. Don't wait for the show to start, and then ask for it halfway.
Also, if you have a tuning problem during the show, don't yell at the bad attitude of Miri. Even if the tuner has something wrong, the audience is not willing to see such a performance.
6. The voice will change after the crowd gathers.
The human body can absorb sound, and the smooth walls in the empty room will make the sound sound different. An empty room without a spectator (without sound field processing) may be awkward or sound cheap.
Especially for drums and basses, sometimes you can't solve this kind of reflection problem when you audition. Don't worry too much. Waiting for the audience to come, the problem will be solved.
There is also a 6.5th tip, the sound on the stage really needs to be adjusted, don't rely too much on the tuner, so that the most loyal front-row audience (not able to hear PA, mainly listen to the stage) is best. Enjoy your show.
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